Xinhua News Agency, Venice, Italy, September 10th (Reporter He Fei) The 80th Venice International Film Festival, which lasted for 11 days, came to an end on the 9th. On the island of Lido in Venice, Italy, Chinese filmmakers gather with film professionals, investors, fans, and media professionals from around the world to witness another grand event of the Venice International Film Festival.



During the film festival, Chinese filmmakers either communicate with global audiences with their works or participate in multiple forum activities to discuss the trends and development trends of the film industry with industry professionals from various countries. They expressed confidence in the future of Chinese cinema and emphasized the need to continue telling Chinese stories well and deepen cultural exchanges between China and foreign countries in an interview with Xinhua News Agency reporters.





On September 2nd, actor Tony Leung presented the trophy after the award ceremony at the Venice Film Festival in Italy. On that day, Hong Kong actor Tony Leung was awarded the Golden Lion for Lifetime Achievement at the Venice Film Festival. (Photographed by Xinhua News Agency reporter Jin Ma Mengni)



On August 31st, the film "Fengshen Part 1: Chaoge Fengyun" directed by Ulsan was screened in the film production market of this year's film festival, attracting many enthusiastic fans to come and experience the vivid and magnificent charm of Chinese mythology and epic.



During the film festival, Ulsan also discussed genre film production trends with filmmakers from European countries during a forum event with "Fengshen". After the event, he told Xinhua News Agency reporters that Chinese film creators should communicate more directly with global audiences, strengthen cooperation with filmmakers from around the world, and use internationally recognized film language and technology to tell more exciting stories about China. He said that the "Fengshen" trilogy series is based on Chinese classical literature and traditional culture, with personnel from more than 20 countries and regions participating in the production. The film tries to tell Chinese mythological stories in a simple and easy to understand way, so that both Chinese and foreign audiences can understand.





On August 30th, in Venice, Italy, Shu Qi, the judge and actor of the main competition unit of the 80th Venice Film Festival, made an appearance on the red carpet at the opening ceremony. (Photographed by Xinhua News Agency reporter Jin Ma Mengni)



When discussing how Chinese films have gained more recognition from audiences around the world, director and screenwriter Liu Haoliang told reporters that conservative films can no longer satisfy audiences, and audiences around the world are eager for innovative things. In addition to requiring the film to achieve a certain level of production and drama, the audience is also particularly concerned about whether the film creator truly believes in the story they tell. As long as Chinese filmmakers maintain innovative thinking and tell the stories we believe in well, they can move audiences around the world

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He stated that recently, several Chinese young directors' film works, including "The Disappearing She" and "All in One", have achieved both box office and word-of-mouth success. Young filmmakers are making rapid progress in creativity, subject matter innovation, execution ability, and film industrialization. I believe they won't be an exception, Chinese commercial films will be getting better and better



Actress Shu Qi, a member of the jury for the main competition unit of this year's film festival, stated that although the judges have different cultural backgrounds and perspectives, film art can break cultural barriers. A good work should not only have the director's personal style, but also tell the story well. The long-standing historical accumulation of Chinese civilization is

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